CAMILA AFANADOR embraces design as
an expanding force that draws the connections between people and places. She explores
the reality of being simultaneously in one place with all the references to other places
revealing the common thread of our stories in a global context. www.camilaafanador.com
VIRGINIA CHOW approaches design as
a conscious act of reality construction; as an opportunity to question and reframe the
hard-wiring of our thinking via material means.
WOO CHUNG creates a network of relationships between the idea of identity, and the
formation of identity, in the practice of graphic design. What constitutes an identity of an individual? Of an organization? Of a culture? Is it ever possible to truly understand and synthesize every internal and external characteristic
of something? www.fonzcrom.com
DINAH FRIED believes that in this charged and unstable moment in the history of reading — amidst the current fog of information overload — it is particularly important to give attention
to the design of beloved novels, whose physical manifestation is a sublime blending of an author’s prose and a designer’s vision, whose digital manifestation is yet to be fully developed, and whose enduring words help us better understand ourselves. www.dinahfried.com
JAMES J. GRADY makes work which, in concept and method, is a view on empirically- based graphic design. Inviting constant
shifts of perspective — from place, position, direction, or person, to another — he assumes the stance of observer and documentarian of
the transitory. The work, which operates in the liminal space between ordinary and extra- ordinary places, things, and people in everyday life, is a time-lapse archive (whether printed
or mobile) of local experience. www.jamesjgrady.com
DYLAN GREIF uses graphic design to conceive writing tools that rethink the formal, structural and behavioral possibilities of text. His work explores how designers and writers together can leverage technology to develop tools that meaningfully reshape writing practice and enrich the craft of storytelling. www.dylangreif.com
EUNMO KANG visualizes the disambiguation of time. His work structures the sequence of time to reveal these dislocated fractures within the time system itself, as well as in the relation of time to human experience. They probe into these uneven, arbitrary dislocations in my time perception, inviting a form / content dialogue. www.eunmokang.com
ANDREW LECLAIR explores the implications of
Marshall McLuhan’s dictum: we shape our
tools, and thereafter our tools shape us. His work explores modes and systems of production
and distribution, seeking ways to play within constraints, modify technology to create
new possibilities, and build open-ended systems for participation. www.andrewleclair.com
ADAM LUCAS works to subvert the authority of language by emphasizing its materiality. He finds delight in words that escape the confines of syntax and convention and live as flexible material — as active objects with which to play and manipulate, re-frame and rethink. He
wants to share this delight with you. www.adamlucas.info
MILAN NEDVED is committed to creating graphic narratives that encourage readers
to adopt shifting perspectives within a single subject or theme. His visual language is defined by respect for the original record; the so-called authentic source. www.milann.info
KAREN VANDERBILT analyzes varied subject matter by breaking large ideas into pieces,
and and looking for moments when the summation of those pieces is somehow other than what one would expect. She creates representations, frameworks and diagrams that avoid over-simplification by emphasizing relationships and multiple points of view. www.karenvanderbilt.com
JEFFREY WALDMAN uses graphic design to investigate, map, represent, remix and repurpose the many non-places that surround us.
He believes these spaces, ranging from banal architecture, protest sites, places of transit
to communication systems, hold inherent and interesting truths about our present day society that he wishes to share with others. www.jeff.li
BETH WEAVER intervenes in everyday spaces with performances and installations that rupture the viewer’s familiar routine with the spectacular and evoke feelings of awe,
delight, and intrigue. She then combines and manipulates collected documentation
materials from these events to create new work that both preserves the core concept of the original performance and offers a new experience for the viewer. www.bethweaverdesign.com